Pete Luscombe  Born in South Devon, he resided there and in Cornwall until going to university.  At university, he developed a healthy interest in folk music and was involved with the running and compering of two folk clubs.  He moved to Portsmouth in 1977, continuing his interests in folk music by supporting various local clubs in the area and also joining the local morris side.  He was 'pressed' into the Shanty Men about 1984.

Nick Gough  Born in Jersey, Nick first became involved with folk music in the early '70's whilst a student at Portsmouth Polytechnic.  Nick is a founder member of the Shanty Men, has a healthy knowledge of a large repertoire of sea and land based songs and as well as having a good singing voice, he also plays fiddle, viola and mandoline.  He used to be a member of the local morris side.

   Pete Watkinson  Pete re-joined the group in 2004. Pete has been singing in Folk Clubs, either solo or in various duo's and groups, since 1973. He is a much respected M.C. formerly at the Railway Folk Club in Portsmouth where he was a resident for many of the last 20 years. His roots are firmly in English Traditional song, from the close harmony groups ‘Long Felt Want’ (with Tom Lewis) and ‘The Portsmouth Shanty Men’ and then ‘Cantoris’, contributing throughout the range but most distinctively in the warm harmonies at the high end. He collaborated with Portsmouth Shanty Men to produce, ‘Mutiny 1797 - Songs from the Spithead & Nore Mutinies’ for the 100th anniversary exhibition at Portsmouth’s City Museum. He was selected by Johnny Collins for his ‘Shanties and Songs of the Sea’ album where he provided a contrast by leading the softer and more reflective songs.

   John Lansley - aka "Long John" - is the latest recruit to The Portsmouth Shantymen, but far from being "pressed" is a willing volunteer. His association with Portsmouth goes back to the late 60's when he studied Electrical Engineering at Portsmouth Polytechnic and was actively involved in Portsmouth Folk Clubs.
At that time his lusty singing was also on the Polytechnic Rugby Club coach on away matches, but more recently, has won singing prizes in the Chichester Festival - winning the opera novice section and shocking the classical judges with two shanties in the "traditional"section !
Having enjoyed the singing of Victory Morris, he joined them as a musician and dancer and is now working hard to learn the repertoire of the PSM which the established members have sung for many years.
He describes himself as a "late starter" and is determined to enjoy every opportunity to sing in harmony.

  The Portsmouth Shanty Men were originally formed in 1978, at the request of the organisers of  Christchurch Folk Festival. In those dim and distant days, most festivals ran shanty singarounds as part of the pub session scene and that year the group booked to host the N Christchurch sessions had to pull out at very short notice. Rather than cancel the sessions outright, the organisers contacted  club organisers in Portsmouth, reasoning (falsely as it turned out) that as the South Coast's premier Naval base, the city would have a strong tradition of shanty singing.  The word was quickly passed around the Portsmouth clubs and various resident singers asked to help out in return for a free festival ticket.  Thus it was that a motley crew, including Sooty Broughton, Tom Lewis, Bernard Potter, Brian Dennett, Nick Gough and Brian Ingham arrived in Christchurch on a sunny Friday evening to find themselves billed as The Portsmouth Shanty Men

The rest of the weekend's memories tend to be blurred in an alcoholic haze, but we remember that we had a good time and no-one actually threw anything at us! 

And that was that.  We all went our separate ways and thought nothing further of it.  That lasted only a couple of years until the advent of the late lamented Folk Afloat festival.  The folk world had started to take a renewed interest in shanties, with artists such as Johnny Collins and Jim Mageean leading the way, so it seemed natural to set a concert of maritime music aboard ship, in this case the hulk of H.M.S. Foudrouyant in Portsmouth Harbour.  The Portsmouth Shanty Men were asked to re-form to provide 'interval' music as people arrived aboard and during the beer breaks.  By this time Tom Lewis and Bernard Potter had moved on to richer pastures and Brian Dennett was deeply involved in the organisation of Folk Afloat Peter Watkinson was invited to join us and for the next couple of years we carried on in this fashion, meeting up once a year to perform on Foudrouyant.  Then someone took a rather large gamble and actually offered us a spot during the main concert.  We quickly co-opted Pete Luscombe to join us and never looked back. 

As our repertoire increased, we started performing in folk clubs, still singing shanties almost exclusively.  This continued until the Australian Bi-Centennial celebrations in 1987, when we were asked by Portsmouth City Council to record music for an audio-visual display in the Round Tower in Old Portsmouth.  Sooty, Brian, Pete & Nick at Liverpool Shanty Festival 2005

This music was also released as an EP.  About this time, Pete Watkinson moved away from Portsmouth and left the Shanty Men.  We spent a fair bit of that summer singing aboard the various ships that were forming the replica First Fleet, including a very early morning spot on Radio 2's Derek Jameson's Breakfast Show.

Since that time, Britain seems to have woken up to its proud Maritime Heritage and shanty singing is now seen as an integral part of any Maritime, as well as Folk Festival. We have appeared at Liverpool, Bristol, Swansea, Lancaster, Hull, Carrickfergus in Northern Ireland and Brest in Brittany as well as many folk festivals, folk clubs, conferences, book launches for Douglas Reeman, sessions on HMS Victory/Warrior and many more events, too various to mention here.

We have also extended our range and although we are still known as The Portsmouth Shanty Men we by no means restrict ourselves solely to shanties and songs of the sea. We have a wide variety of land based songs in our repertoire; if it can be harmonised we'll give it a go!

This information was last updated on 15th February 2011

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